Identify the object first.
- Object / collection no.
- The Metropolitan Museum of Art 62.85.3
- Edition and text ID
- The Met collection record 325514; no line edition verified for this study
- Findspot / archive
- Mesopotamia in museum catalogue; exact excavated settlement not established in this record
- Dating
- About 13th century BCE (museum classification)
- Document type
- Clay administrative record with two cylinder-seal impressions
- Read these lines
- No line numbers verified; interpretation based on museum object metadata only
Open the original institutional object or text edition. This catalogue link provides an identified record; the archive has not independently collated ancient signs or verified every translation choice.
A verified line edition is not yet available.
Transliteration represents cuneiform signs in modern notation; it is not the original cuneiform image. The two English columns are editorial cues and interpretation, not a new translation or verbatim reproduction of the scholarly edition. Check the linked publication for the full line sequence and the specialist English rendering.
Object has two seal impressions; no individual sign or transliteration confirmed
No verified line-by-line text available. The museum object page identifies the physical tablet, but no trustworthy line-by-line transcription or translation was verified for this release. No cuneiform text is reconstructed.
Open the institutional object catalogue
The museum object page identifies the physical tablet, but no trustworthy line-by-line transcription or translation was verified for this release. No cuneiform text is reconstructed.
Reading marks: [ ] = lost text supplied by editors; x = unidentified sign; # = damaged sign; ? = uncertain reading; raised corner marks = partly damaged signs. Learn the notation or view all objects together.
The museum record's firm information
The Metropolitan Museum identifies object 62.85.3 as a Middle Assyrian clay cuneiform administrative tablet impressed with two cylinder seals. The catalogue places it around the thirteenth century BCE and gives physical dimensions of 2.4 by 3.6 by 1.6 centimetres. The museum record documents an object in an institution. It does not, in the readily displayed metadata, establish the original excavated archive or provide an independently checked line-by-line translation for this site.
Two impressions and an administrative setting
The museum's physical identification allows a focused question about how written clay and seal impressions could work together in institutional record keeping. The number of seals is an observed catalogue attribute, not an assurance that two named officials personally witnessed every action referred to in the text. A seal design may identify ownership or authority only after analysis of a wider comparative corpus.
Image rights and archaeological limits
The Met labels the object's digital image Public Domain under its Open Access framework. This archive links to the catalogue rather than silently duplicating artwork or proposing an unattributed photograph. Its current article does not infer a precise findspot, owner, transaction or reconstructed household from an image alone. A detailed reading requires a securely attributed scholarly edition and evaluation of the signs, seal surfaces and object history.
The museum identifies a clay administrative tablet with two cylinder-seal impressions. Its dimensions show that record keeping need not require monumental display. A portable object could combine a verbal record with impressed images.
Rolling a cylinder repeats a design across clay. The position of impressions in relation to text and edges can help scholars study manufacture and handling, even where a verified translation is unavailable.
What a future case study must add
To move beyond catalogue-level description, obtain the object publication or verified transcription, map its signs and seal impressions, and confirm its archaeological provenance and translation. A useful interdisciplinary review would compare metrological, legal and palaeographic findings with actual Middle Assyrian parallels. Until then, this is an object-level case with an explicit missing text edition, not a fictitious translation.
Material, form, catalogue period and identified impressions can be explained directly. The broader role of written and sealed clay also provides historical context.
The particular parties, commodity and excavated archive cannot be invented from those attributes. Keeping the missing edition explicit protects the distinction between observed object and imagined story. The tablet remains a concrete example of the physical technology used in institutional records.
Explore the concordance.
These are editorial reading links, not a claim that different documents describe the same event.
This introduction draws on the following sources: [1][2]. Section reading trails highlight selected references where a more precise relationship has been recorded. Unmapped passages and other references remain at article level; these trails are not a sentence-by-sentence verification. Editorial guidance is identified in the text.
Sources & further reading
- 1Institutional primary archaeological object catalogue
Cuneiform tablet with two cylinder seals, Met accession 62.85.3
Metropolitan Museum of Art, Ancient West Asian Art
Middle Assyrian clay administrative object, approximately 13th century BCE. Public-domain image status is stated by the Met; a published translation was not identified in this catalogue.. Recorded source check: 2026-10-30. - 2Specialist edited primary administrative text corpus
Archival Texts of the Middle Assyrian Period (ATMAP/TCMA)
Oracc / Jacob Jan de Ridder and project contributors
Online corpus with transliterations, translations, findspots, bibliographies and provenance notes. Its 3,000+ texts are a corpus description, not representative of every inhabitant.. Recorded source check: 2026-10-29.
A foundation to build on
This introduction was compiled from the linked sources and has not received specialist peer review. It is intended as a route into further research. Read how corrections and reviews are handled.
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